Nokshi Notions

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Color scheme?

Lamisa’s Nanu

The orange and white kanthas were made by Lamisa’s maternal grandmother, whom she called Nanu. To others, she was known as Dr. Meherun Nessa. Her Nanu was born in 1926 in a small village called Panchbibi in Rajshahi in present-day Bangladesh near the Indian border. She was a trailblazer for future Muslim Bengali women doctors because at the time, that was very uncommon. At the time, most Bengali women did not pursue higher studies, especially not Muslim women. The few women classmates she had in medical school were all Hindu. She became an obstetrician and gynecologist who opened and ran a labor and delivery clinic on the bottom level of her home in Dhaka, Bangladesh. She delivered thousands of babies over the span of three generations.

Beyond her remarkable career, she was also an adventurous and very sociable woman. She taught herself how to drive before Lamisa’s Nana (maternal grandfather) did and created the space for close-knit family connections that I still get to experience. She suffered from a stroke in 2002, when Lamisa was 7, so the version of her that she remembers was frailer than her usual self. She was very selfless and thoughtful. Lamisa’s fondest memory of her Nanu is that every morning, she would give little shondha malotis, also known as four o’clock flowers, to everyone in the house as a du’a, or prayer. She passed away on September 12, 2011 at age 85. Even over a decade after her passing, Lamisa still gets to connect with her Nanu via the kanthas she gifted her.

Lamisa’s Nanu was taught how to sew in a home economics type class in school as a child and learned how to apply it to kanthas at home. She made kanthas out of her old saris and her husband’s lungis, which are traditional Bengali sarongs worn by men. Incorporating her and my Nana’s clothes into the new kanthas was a way for her to pass on the memories of the two of them to their grandchildren.

Noureen described her mother, Bina, as an incredibly brave and bold woman. Their family were being held as political prisoners of war in Pakistan during the 1971 Bangladesh Liberation War. To ensure her children’s wellbeing, Bina sewed frilly dresses for Noureen and her siblings. In between the frills, she hid important identification documents, jewelry, and other valuables that the children could use if anything happened to their parents or they were separated.

Also, during this time, the Pakistani military raided their home and belongings in the internment camp they were forced to live in. Even while being threatened at gun point, she objected to this violation and stood up for her family. She told Noureen “Never let anybody ever disrespect you, even if they will kill you.” Noureen was especially moved by this act of bravery and courage.

Another example of her bravery happened when they lived in Bangladesh. Their neighbor fled her abusive husband and asked Bina to look after her children while she was gone. She even cut down one of Noureen’s favorite trees to have a better view of her neighbor’s home and ensure she kept her promise. Bina managed to help the children safely reach and stay with their mother instead of being sent away to their father’s village.

Noureen’s Mom

Moon

This kantha includes many fables and proverbs popular in Bengali culture. These are a few of those stories:

In one fable, there is a tiger who sweet talks a crane into helping him remove a bone stuck in his mouth. He promises a handsome reward. Despite knowing the tiger’s nature, the crane helps and then is snubbed of his promise. This story is to warning about it being unwise to have any dealings with the wicked.

In another fable, a heron stands by the waterside one morning, surrounded by a rich choice of fish which it ignores since it is not ready to eat. During the afternoon it rejects humbler types of fish as unworthy, hoping for better pickings but, by evening, is so hungry that it settles for a snail. It warns that if you have an opportunity and you don’t take it, then it may not be available later when you want it.

There is a fable of a horse who disputes ownership of a meadow with a stag, but is unable to force him away. The horse asks a man to help him to scare off the stag. After he bridles the horse and rides on his back, he sees how useful the horse is to him, so he refuses to unbridle him afterwards. It warns against seeking a remedy that leaves one worse off than before or that independence better than a compromised ally.

There is a proverb that states, “never trust beauty, a peacock will always eat the snake.” It means that the person or thing that looks more beautiful and less threatening may actually be the hazard.